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<channel>
	<title>Hilary Staff</title>
	<link>https://hilarystaff.com</link>
	<description>Hilary Staff</description>
	<pubDate>Wed, 09 Oct 2024 21:24:29 +0000</pubDate>
	<generator>https://hilarystaff.com</generator>
	<language>en</language>
	
		
	<item>
		<title>About / Home Page</title>
				
		<link>https://hilarystaff.com/About-Home-Page</link>

		<pubDate>Fri, 10 Sep 2021 20:05:19 +0000</pubDate>

		<dc:creator>Hilary Staff</dc:creator>

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		<description>Music Supervisor / Creative Producer

Hi, I’m Hilary. Welcome to my internet. 


Hilary Staff is a Los Angeles-based music supervisor, creative producer, audio paleontologist, and pathological mixtape maker. She is passionate about crafting musical landscapes for television and film that elevate the narrative, evoke emotion, and create unforgettable moments. She began her music career in Atlanta with renowned archival record label Dust-to-Digital where she worked on the Grammy-nominated box set Opika Pende: Africa at 78 RPM, among many other releases. After moving to Los Angeles she worked for Grammy-nominated reissue/archival label Light in the Attic Records. As a music supervisor, Hilary has worked on the critically-acclaimed comedies Corporate (Comedy Central) and This Fool (Hulu), as well as Tim Kasher's thriller feature Who's Watching? Hilary also moonlights with the Harry Smith Archives where she strives to preserve and highlight the kaleidoscopic work of the late polymath/artist/ethnomusicologist Harry Everett Smith.

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		<title>Art Department Intro</title>
				
		<link>https://hilarystaff.com/Art-Department-Intro</link>

		<pubDate>Fri, 10 Sep 2021 19:37:22 +0000</pubDate>

		<dc:creator>Hilary Staff</dc:creator>

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		<description>Hi, I’m Hilary. For the last ten years, I’ve worked in content production, from films and TV to photoshoots and podcast recordings. I’ve been an art director, a prop stylist, a community manager, and a copywriter. Here’s a few projects I’ve worked on.</description>
		
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		<title>Magic Spoon</title>
				
		<link>https://hilarystaff.com/Magic-Spoon</link>

		<pubDate>Fri, 10 Sep 2021 18:51:57 +0000</pubDate>

		<dc:creator>Hilary Staff</dc:creator>

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		<description>Magic SpoonMagic Spoon collaborated with TikTok group Sway House to launch their new special edition flavors.Overall the project garnered over 2MM Instagram likes.AdWeek : Magic Spoon and the TikTok Influencers of Sway House Teamed Up to Create Limited-Edition Cereal Flavors
Company: Magic Spoon&#38;nbsp;

Lead Stylist: Amy Taylor</description>
		
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		<title>Gem + Jane</title>
				
		<link>https://hilarystaff.com/Gem-Jane</link>

		<pubDate>Fri, 10 Sep 2021 18:52:03 +0000</pubDate>

		<dc:creator>Hilary Staff</dc:creator>

		<guid isPermaLink="true">https://hilarystaff.com/Gem-Jane</guid>

		<description>Gem + Jane

I helped created a whimsical landscape for cannibis beverage Gem + Jane.
Photographer: Leslie Grow
Prop Stylist: Amy Taylor</description>
		
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		<title>Select Cannabis</title>
				
		<link>https://hilarystaff.com/Select-Cannabis</link>

		<pubDate>Fri, 10 Sep 2021 19:22:15 +0000</pubDate>

		<dc:creator>Hilary Staff</dc:creator>

		<guid isPermaLink="true">https://hilarystaff.com/Select-Cannabis</guid>

		<description>
Select 
Photoshoot to highlight Select’s new product line of edibles and tinctures
Company: Select
Photographer: Stephanie Gonot
Prop Stylist: Amy Taylor</description>
		
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		<title>Art Department copy</title>
				
		<link>https://hilarystaff.com/Art-Department-copy</link>

		<pubDate>Fri, 10 Sep 2021 19:32:45 +0000</pubDate>

		<dc:creator>Hilary Staff</dc:creator>

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		<description>Film &#38;amp; TelevisionI’ve also worked in film and television, doing everything from art direction to props to set dressing.


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/373d525a168eaac567415e9423dac3815fa3ced447863c87b56c7fe97a48ecc4/see-me-dance-2.jpg" data-mid="118564985" border="0" alt="I'd Like For You To See Me Dance (Short)" data-caption="I'd Like For You To See Me Dance (Short)" src="https://freight.cargo.site/w/1000/i/373d525a168eaac567415e9423dac3815fa3ced447863c87b56c7fe97a48ecc4/see-me-dance-2.jpg" /&#62;
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&#60;img width="2025" height="3000" width_o="2025" height_o="3000" data-src="https://freight.cargo.site/t/original/i/ad484c713793609f58c385d895789496273b822a84658dc4284bbf6c658fa911/vhsviral.jpg" data-mid="118564989" border="0" alt="V/H/S Viral (Short)" data-caption="V/H/S Viral (Short)" src="https://freight.cargo.site/w/1000/i/ad484c713793609f58c385d895789496273b822a84658dc4284bbf6c658fa911/vhsviral.jpg" /&#62;
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		<title>Music Supervisor banner copy</title>
				
		<link>https://hilarystaff.com/Music-Supervisor-banner-copy</link>

		<pubDate>Wed, 09 Oct 2024 21:24:29 +0000</pubDate>

		<dc:creator>Hilary Staff</dc:creator>

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		<description></description>
		
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		<title>Label Work Intro copy</title>
				
		<link>https://hilarystaff.com/Label-Work-Intro-copy</link>

		<pubDate>Fri, 10 Sep 2021 19:56:54 +0000</pubDate>

		<dc:creator>Hilary Staff</dc:creator>

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		<description>Label Work
I began my music career in Atlanta working for the critically-acclaimed reissue record label Dust-to-Digital where my work encompassed a variety of responsibilities: from transcribing lyrics to editing and sequencing tracks for new releases, to researching historical and archival music to conducting interviews of select artists to creating and maintaining label's web presence to assembling and packing merchandise and everything in between. Among the highlights during my time at Dust-to-Digital were working with producer Jon Ward on the Grammy-nominated box set Opika Pende: Africa at 78 RPM, and cutting/sequencing the tracks for The Hurricane that Hit Atlanta. After moving to Los Angeles I worked for Grammy-nominated archival label Light in the Attic Records. At Light in the Attic I acted as Digital Music Manager, Project Coordinator, and Podcast Producer/Host amongst other things. </description>
		
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		<title>Label Work copy copy</title>
				
		<link>https://hilarystaff.com/Label-Work-copy-copy</link>

		<pubDate>Fri, 10 Sep 2021 19:53:44 +0000</pubDate>

		<dc:creator>Hilary Staff</dc:creator>

		<guid isPermaLink="true">https://hilarystaff.com/Label-Work-copy-copy</guid>

		<description>
	ReleasesHere are some other projects that I helped bring into the world, with a variety of unique to-dos for each, including vetting art and liasing with our designers, copyediting liner notes, and digitizing and culling audio assets for interesting materials.
For more information, check out my Discogs ︎.
	
	

&#60;img width="1000" height="1000" width_o="1000" height_o="1000" data-src="https://freight.cargo.site/t/original/i/62f8f388c3029a6b2462c09194e14014d4bc059ae8da284f266b6617ceb4a413/61e92d1b-0daf-482f-a3ff-398e7bc701ab9265325140111632047-LARGE_c5b33953-b60c-4e56-ad4e-1518a2d92017_1000x.jpeg" data-mid="118566125" border="0" alt="DTD-17: The Hurricane That Hit Atlanta" data-caption="DTD-17: The Hurricane That Hit Atlanta" src="https://freight.cargo.site/w/1000/i/62f8f388c3029a6b2462c09194e14014d4bc059ae8da284f266b6617ceb4a413/61e92d1b-0daf-482f-a3ff-398e7bc701ab9265325140111632047-LARGE_c5b33953-b60c-4e56-ad4e-1518a2d92017_1000x.jpeg" /&#62;
&#60;img width="700" height="700" width_o="700" height_o="700" data-src="https://freight.cargo.site/t/original/i/8a400f08293a666b2b4433d76a0a7c9f5dd63aff1b01e63709e96079d13f7be3/baby-how-can-it-be.jpeg" data-mid="118566126" border="0" alt="DTD-16: Baby, How Can It Be? (Songs Of Love, Lust And Contempt From The 1920s And 1930s) " data-caption="DTD-16: Baby, How Can It Be? (Songs Of Love, Lust And Contempt From The 1920s And 1930s) " src="https://freight.cargo.site/w/700/i/8a400f08293a666b2b4433d76a0a7c9f5dd63aff1b01e63709e96079d13f7be3/baby-how-can-it-be.jpeg" /&#62;
&#60;img width="550" height="550" width_o="550" height_o="550" data-src="https://freight.cargo.site/t/original/i/cc8d6c17759e1e791e5a75592b0f8b795bb0ffa9af672a819c628a6e0c2c1350/barbara-lynn.jpeg" data-mid="118566127" border="0" alt="LITA 119: Here Is Barbara Lynn" data-caption="LITA 119: Here Is Barbara Lynn" src="https://freight.cargo.site/w/550/i/cc8d6c17759e1e791e5a75592b0f8b795bb0ffa9af672a819c628a6e0c2c1350/barbara-lynn.jpeg" /&#62;
&#60;img width="640" height="640" width_o="640" height_o="640" data-src="https://freight.cargo.site/t/original/i/b41f7b1be242046546e4646de6ee04d7b109f6fa0a28f4551afcb28b95de4c11/opika-pende.jpeg" data-mid="118566128" border="0" alt="DTD-22: Opika Pende : Africa At 78 RPM " data-caption="DTD-22: Opika Pende : Africa At 78 RPM " src="https://freight.cargo.site/w/640/i/b41f7b1be242046546e4646de6ee04d7b109f6fa0a28f4551afcb28b95de4c11/opika-pende.jpeg" /&#62;
&#60;img width="550" height="550" width_o="550" height_o="550" data-src="https://freight.cargo.site/t/original/i/2133e47e0b47e9356f7a1de7ad77b1a830cf59fad359f56fcf8e361b0ef27f75/13-lee.jpeg" data-mid="118566129" border="0" alt="LITA 142: 13" data-caption="LITA 142: 13" src="https://freight.cargo.site/w/550/i/2133e47e0b47e9356f7a1de7ad77b1a830cf59fad359f56fcf8e361b0ef27f75/13-lee.jpeg" /&#62;
&#60;img width="550" height="550" width_o="550" height_o="550" data-src="https://freight.cargo.site/t/original/i/1afd7f4da1fa2449e8f3e1b32dae2311b6c421beb392c569cf31da0d0af7501d/acetone.jpeg" data-mid="118566130" border="0" alt="LITA 159: 1992-2001" data-caption="LITA 159: 1992-2001" src="https://freight.cargo.site/w/550/i/1afd7f4da1fa2449e8f3e1b32dae2311b6c421beb392c569cf31da0d0af7501d/acetone.jpeg" /&#62;
&#60;img width="550" height="550" width_o="550" height_o="550" data-src="https://freight.cargo.site/t/original/i/31137eca77acb155b8abb516485e1bbdec11e2bf6311340dfdbef809a4848856/american-dreamer.jpeg" data-mid="118566131" border="0" alt="CINE 808: Dennis Hopper In &#38;quot;The American Dreamer&#38;quot; &#38;lrm;" data-caption="CINE 808: Dennis Hopper In &#38;quot;The American Dreamer&#38;quot; ‎" src="https://freight.cargo.site/w/550/i/31137eca77acb155b8abb516485e1bbdec11e2bf6311340dfdbef809a4848856/american-dreamer.jpeg" /&#62;
&#60;img width="550" height="550" width_o="550" height_o="550" data-src="https://freight.cargo.site/t/original/i/c476901dadfcb2282d3bb5358794eab021758c38d2040477417b1e2e725daa01/ciao-manhattan.jpeg" data-mid="118566132" border="0" alt="CINE 809: Ciao! Manhattan" data-caption="CINE 809: Ciao! Manhattan" src="https://freight.cargo.site/w/550/i/c476901dadfcb2282d3bb5358794eab021758c38d2040477417b1e2e725daa01/ciao-manhattan.jpeg" /&#62;
&#60;img width="550" height="550" width_o="550" height_o="550" data-src="https://freight.cargo.site/t/original/i/9c1151031f39997feeb8828d8d431e1c7ef4a357e074b09041ae1d161e457e68/cowboy-and-the-lady.jpeg" data-mid="118566133" border="0" alt="LITA 160:  The Cowboy &#38;amp; The Lady " data-caption="LITA 160:  The Cowboy &#38;amp; The Lady " src="https://freight.cargo.site/w/550/i/9c1151031f39997feeb8828d8d431e1c7ef4a357e074b09041ae1d161e457e68/cowboy-and-the-lady.jpeg" /&#62;
&#60;img width="1800" height="1800" width_o="1800" height_o="1800" data-src="https://freight.cargo.site/t/original/i/3afd1b6a1e3e9af3545a6ec1c19b007bdd7f8d9edf88b8ba1bd766afee33b8e1/digable.jpeg" data-mid="118566134" border="0" alt="MCR 924: 	Reachin' (A New Refutation Of Time And Space)" data-caption="MCR 924: 	Reachin' (A New Refutation Of Time And Space)" src="https://freight.cargo.site/w/1000/i/3afd1b6a1e3e9af3545a6ec1c19b007bdd7f8d9edf88b8ba1bd766afee33b8e1/digable.jpeg" /&#62;
&#60;img width="550" height="550" width_o="550" height_o="550" data-src="https://freight.cargo.site/t/original/i/b53994dfb8788aadd34e1753b73e0b5ee7d0f50da996bb86ed50e27a5acb990b/even-a-tree-can-shed-tears.jpeg" data-mid="118566135" border="0" alt="LITA 156:  Even A Tree Can Shed Tears: Japanese Folk &#38;amp; Rock 1969-1973" data-caption="LITA 156:  Even A Tree Can Shed Tears: Japanese Folk &#38;amp; Rock 1969-1973" src="https://freight.cargo.site/w/550/i/b53994dfb8788aadd34e1753b73e0b5ee7d0f50da996bb86ed50e27a5acb990b/even-a-tree-can-shed-tears.jpeg" /&#62;
&#60;img width="550" height="550" width_o="550" height_o="550" data-src="https://freight.cargo.site/t/original/i/25b8211299800072da63b22c1dc44c87305d6d375ecab9e062ae6183a2db71c5/forty.jpeg" data-mid="118566136" border="0" alt="LITA 161: Forty" data-caption="LITA 161: Forty" src="https://freight.cargo.site/w/550/i/25b8211299800072da63b22c1dc44c87305d6d375ecab9e062ae6183a2db71c5/forty.jpeg" /&#62;
&#60;img width="550" height="550" width_o="550" height_o="550" data-src="https://freight.cargo.site/t/original/i/0a1a0a5e1bb540da4be5470c620e69c2c89d14e3ab15d32cde4601beddd7eb1e/gurdjieff.jpeg" data-mid="118566137" border="0" alt="LITA 158:  The Music Of Gurdjieff / De Hartmann" data-caption="LITA 158:  The Music Of Gurdjieff / De Hartmann" src="https://freight.cargo.site/w/550/i/0a1a0a5e1bb540da4be5470c620e69c2c89d14e3ab15d32cde4601beddd7eb1e/gurdjieff.jpeg" /&#62;
&#60;img width="550" height="550" width_o="550" height_o="550" data-src="https://freight.cargo.site/t/original/i/ef9a513fb659f28c6062c5944f09c1fad7c60d51d053c76c8633345e8b685046/johnnie-frierson.jpeg" data-mid="118566138" border="0" alt="LITA 127: Have You Been Good To Yourself" data-caption="LITA 127: Have You Been Good To Yourself" src="https://freight.cargo.site/w/550/i/ef9a513fb659f28c6062c5944f09c1fad7c60d51d053c76c8633345e8b685046/johnnie-frierson.jpeg" /&#62;
&#60;img width="550" height="550" width_o="550" height_o="550" data-src="https://freight.cargo.site/t/original/i/9e9d56509588133600a67c73a2386d82d8aa1d9a57f9d7a408520a9ae2c9f148/kites-are-fun.jpeg" data-mid="118566139" border="0" alt="LITA 004: Kites Are Fun" data-caption="LITA 004: Kites Are Fun" src="https://freight.cargo.site/w/550/i/9e9d56509588133600a67c73a2386d82d8aa1d9a57f9d7a408520a9ae2c9f148/kites-are-fun.jpeg" /&#62;
&#60;img width="550" height="550" width_o="550" height_o="550" data-src="https://freight.cargo.site/t/original/i/b043e6b840f7c32962b5a1d29fba1fe91dde3487e4ab4cf3a245c1d0715fec5d/lagniappe-sessions.jpeg" data-mid="118566140" border="0" alt="LITA 155: Lagniappe Sessions Vol. 1" data-caption="LITA 155: Lagniappe Sessions Vol. 1" src="https://freight.cargo.site/w/550/i/b043e6b840f7c32962b5a1d29fba1fe91dde3487e4ab4cf3a245c1d0715fec5d/lagniappe-sessions.jpeg" /&#62;
&#60;img width="550" height="550" width_o="550" height_o="550" data-src="https://freight.cargo.site/t/original/i/391fc95a05f71f5565239c34cd547fb703c271c485383405316d10c6f66a3f92/link-wray.jpeg" data-mid="118566141" border="0" alt="FDR 633: Link Wray" data-caption="FDR 633: Link Wray" src="https://freight.cargo.site/w/550/i/391fc95a05f71f5565239c34cd547fb703c271c485383405316d10c6f66a3f92/link-wray.jpeg" /&#62;
&#60;img width="550" height="550" width_o="550" height_o="550" data-src="https://freight.cargo.site/t/original/i/30c4661f427fee096c9e1b2ca16186598d12b7ae00d7ba93e51ccee12ea0a92b/nasty-gal.jpeg" data-mid="118566142" border="0" alt="LITA 046: Nasty Gal" data-caption="LITA 046: Nasty Gal" src="https://freight.cargo.site/w/550/i/30c4661f427fee096c9e1b2ca16186598d12b7ae00d7ba93e51ccee12ea0a92b/nasty-gal.jpeg" /&#62;
&#60;img width="550" height="550" width_o="550" height_o="550" data-src="https://freight.cargo.site/t/original/i/6f247b835a1f5f92f6a7c98ad8e074ef3a116697a0a37098485f96ac63f6f6bc/requiem-for-an-almost-lady.jpeg" data-mid="118566143" border="0" alt="LITA 162: Requiem For An Almost Lady" data-caption="LITA 162: Requiem For An Almost Lady" src="https://freight.cargo.site/w/550/i/6f247b835a1f5f92f6a7c98ad8e074ef3a116697a0a37098485f96ac63f6f6bc/requiem-for-an-almost-lady.jpeg" /&#62;
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&#60;img width="550" height="550" width_o="550" height_o="550" data-src="https://freight.cargo.site/t/original/i/4bb08d03899d751130144a1c77c66796ad31cabdf9439663623b8afa8b87ec9f/supreme-jubilees.jpeg" data-mid="118566145" border="0" alt="LITA 120: It'll All Be Over" data-caption="LITA 120: It'll All Be Over" src="https://freight.cargo.site/w/550/i/4bb08d03899d751130144a1c77c66796ad31cabdf9439663623b8afa8b87ec9f/supreme-jubilees.jpeg" /&#62;
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		<title>Music Supervisor banner</title>
				
		<link>https://hilarystaff.com/Music-Supervisor-banner</link>

		<pubDate>Mon, 13 Sep 2021 20:12:12 +0000</pubDate>

		<dc:creator>Hilary Staff</dc:creator>

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